"This stuff has no market at all, here in Italy. I sold very few pieces between 2000 and 2005, but there is no interest. And almost none, among the very few interested people, is willing to pay a congruous price for unique pieces that needed a lot of work hours. Better perspectives from abroad, but Italian shipping expenses are terribly high, and higher are also the probability of damage in shipping such frail sculptures. Once, I sell a tablet in the USA, and it arrived damaged in Texas, even if carefully packaged in a heavy wooden box. So, how can I sell unique pieces that could arrive broken in many pieces?"
I first encountered Mr. Bonazzi's work via Christian Matzke's "Propping Up the Mythos", the website that inspired the creation of Propnomicon.