Papier-mache is one of the oldest forms for creating puppets and so a lot of people think that there must be something better out there. Actually, there are very few contenders. Done well, papier-mache is light, strong, fast, and non-toxic. I know, we’ve all had the experience of the lumpy paste, and corners that stick up and a thing that requires years of sanding to even resemble smooth. It doesn’t have to be that way. I’ll show you a technique that will only need three layers and can be danced on.
The second is from the same series of posts involving the creation of puppets for a production of "MacBeth". This one covers the building of a gigantic pair of arms with hands:
To catch you up on what I spent the last several weeks building, I’m going to be posting some photos that I took during the build.
The wood witch needed hands capable of picking things up. Fortunately, you can find such a thing in your local neighborhood hardware store. This trick won’t work for a lot of puppets, but the wood witch was the perfect size for using grabber arms.
The usefulness of these techniques for conventional pen-and-paper gaming may be a bit questionable, but I know the LARP crowd could definitely benefit from them. It's hard to justify the rather sad "guy wearing a tie-dyed sheet" approach to the Big Bad in a live-action scenario when the creative use of paper mache and a little creativity could produce something far more memorable.
1 comment:
Ouch, tie-dyed sheet...
I link you my own, hoping you don't critique it too harshly for a weeks worth of construction
http://www.flickr.com/photos/67733507@N00/4377198897/
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