Cthulhu Mosaic

Artist Mark Arnold was kind enough to send over some preview shots of his Roman-style Cthulhu Mosaic.  What makes it particularly impressive is that it's a hand-painted resin casting.  He sculpted the master from hundreds of styrene tiles mounted on a wax base.  It's a beautiful piece of work.

Update:  They just happen to be available on Ebay. And...they're sold out.

The Sorceror of Dunwich

Jason McKittrick returns with a new limited edition piece.  This time it's Wilbur Whately, showing a definite resemblance to his father.  Not as much as his brother, of course.

Cthulhu Fhtagn! Canale/Luong Edition.

This unique take on Cthulhu was designed by Richard Luong and digitally sculpted by Martin Canale.  I really like how it avoids squid-head syndrome by picking up some design elements from aquatic arthropods.  It's intended as a gaming miniature.  I saw mention on the Facebook page of it being in 1/4 scale, which means the final figure will be...what...about 180 meters tall?  I'd pay good money to see that being cast.

Track of the Sasquatch

Jacob Petersson returns to our pages with undeniable proof that Bigfoot is real.  Despite the overwhelming evidence to the contrary, so called "scientists" continue to deny the existence of a thriving Sasquatch population in North America.

The Master of Mad Science

Kenneth Strickfaden is arguably* the most influential designer to ever work in film.  The laboratory equipment he created for the 1931 production of "Frankenstein" almost single-handedly created the "mad science" aesthetic of popular culture.  Some fans had a chance to check out Strickfaden's original props almost a decade ago, before they were sold off at auction.  They've posted a gallery of pictures from that visit to the Universal Monster Army forum.

* I'd say it's a battle between Strickfaden and Ron Cobb.  Cobb's design work on the "Alien" films define the "grungy future" look to this day.

Cthulhu Fhtagn! Martínez Edition.

Spanish artist Daniel Martínez brings us this excellent prop tableau featuring his custom Cthulhu idol and coins.  Click through on the link to browse his website.  There are some very cool prop projects to salivate over.

Cthulhu Fhtagn! Centipede Edition.

Copper Centipede returns with a progress shot of his latest project- a massive Cthulhu idol carved from soapstone. 

Preserved Tissue Specimen Tutorial

There's nothing quite like a preserved bit of nastiness in a bottle. A specimen floating in murky liquid in a dirty sample jar just calls out to people.  They want to pick it up, turn it around, and take a good look at what's inside.  The ickier it is, the better.

This tutorial will show you how to make a gruesome bit of preserved tissue using cheap and readily available materials.  When you're done you'll have something like this:

This tutorial builds on ideas originally shared by "Ravenworks69" in the Halloween Forum.  To start off, you'll need one of the soft, squishy animals frequently found on discount store shelves in the toy section for around a buck. This will be the core of the tissue specimen. 

Now grab a sharp hobby knife, cackle madly, and prepare to do some surgery.  You need to cut the critter open to scoop out it's guts and turn it inside out.   These squishy animals are filled with small polystyrene beads.  Feel around until you find the bottom of the internal cavity that holds them.  There will usually be a seam along the body at this location.

Note that I'm wearing protective gloves.  What,  you want me to perform surgery without taking the most basic precautions?  Are you some kind of barbarian?

Once you find it, make an incision into the cavity and remove the little plastic beads inside.  A shop-vac will make this considerably easier, since the little spheres are amazingly sensitive to static electricity and cling to everything.

Once the beads are out, remove the tail and turn the whole creature inside out.

 

 To keep our specimen from floating to the top of the specimen bottle we need to weigh it down a bit.  Why?  Because the flexible vinyl of the dinosaur, and the other materials we'll be adding, all float.  We need to add enough mass to make the final creature neutrally buoyant.  Decorative glass gems are perfect for this, since they're cheap and totally water safe.  Push two or three into the cavity you created when you turned the animal inside out.

Now we need to bulk up the body.  Hit up the sewing section of your local megamart and you'll find bags of polyester fiberfill for a few dollars.  Each bag has enough stuffing for one pillow, or hundreds of our little floating nightmares.  Pack the interior cavity with as much stuffing as possible.  Don't be shy about stretching the vinyl- you want it to give the specimen some heft and body.  The blunt end of a bamboo skewer makes a handy tool for packing in the polyester fibers as tightly as possible.

Once you're done you'll have a plump little sausage of vinyl filled with glass and polyester.  Hey, isn't something missing?

That's right, the tail.  We'll stick that through our incision to add some more texture.  Coiling the length of the tail around on itself gives a good approximation of the organic shapes of real tissue.

 

 Now it's time to give our specimen some skin.  For that we'll be using a mixture of acrylic craft paint with Capitol brand latex carpet adhesive, available at any Home Depot.  The paint provides the coloring while the latex forms the water-safe skin.  All together both the paint and latex will cost around five bucks, but you'll have enough to skin about a dozen small to medium specimens.  

Since the dinosaur was bright green I picked a dark ivy green to provide a complementary color.  Any color of paint will tint the latex, but darker colors provide a stronger coloration.  Experiment with color combinations as you see fit.

If you can't get Capitol, any pure latex will do.  You could spring for moldmaking or mask latex, but it's considerably more expensive per ounce than off the shelf carpet adhesive.  Just make sure it's latex based.  If it is, you'll get an eye watering whiff of ammonia when you open the top.  Ventilate appropriately.

Oh, and they're not kidding about the "adhesive" part.  If latex drips onto your clothes or carpet you will never, ever get it out.  Dress in old clothes and prepare your work space with that in mind.

 

Mix around two heaping tablespoons of the latex with a teaspoon of the acrylic paint in a disposable cup.  You want to thoroughly spread the pigment throughout the latex.  A bamboo skewer or popsicle stick makes a good stirrer.

Keep stirring until the mixture is uniform.  The ammonia fumes will be quite strong, so ventilate appropriately.

Now we apply the tinted latex to the core of our specimen.  A foam makeup wedge is ideal for daubing the mixture on.  You want a thin, overall coat so the latex can dry quickly.  Don't worry if you miss a spot here and there- we'll be covering that up with additional layers of latex.  I've mounted the specimen on the end of a bamboo skewer* to make it easier to hold.  Stick the end of the skewer in a cup filled with rocks or some of your leftover glass gems to hold it in place.

*Yes, I love bamboo skewers.  They really do have a million uses.

Once you've covered the specimen allow the latex to thoroughly dry.  That can take a few hours in the open air, but sticking it in front of a fan can cut that time down to minutes.  Remember, thin is the key.  You should treat the latex almost like a thick paint, applying each coat as thinly as possible.  Here's what you'll have once the first layer dries. 

Now apply another layer of latex,  And another.  And another.  In all I gave this piece six coats of latex.  Let each coat dry before applying the next.  If you daub on the latex with a sponge you can build up some really cool surface texture by taking advantage of the material's natural tackiness.

After applying multiple coats of latex it's time to rub some of it off.  Poke the latex skin with the tip of  a skewer or the end of a narrow-handled paintbrush, anything that will bite into the latex a bit.  The end of this cheap craft paintbrush has a mold line flange that's perfect.   Then rub against the latex in small circles.  As you apply pressure the latex it will eventually tear away from the vinyl and create a circular opening.  Insert your tool into the hole and keep rubbing it in circles to widen it.

How cool is that?  You get a neat little pustule effect.  Repeat as needed to create a nasty, diseased appearance.

In one fell swoop you've added some interesting visual and textural contrast to the piece.  The smooth exposed vinyl contrasts nicely with the gnarled surface of the latex.  Our next step is going to kick up that surface treatment another notch.  We're going to drybrush the latex with a contrasting color to bring out the details.

If you're not familiar with drybrushing, you load a stiff brush with paint, wipe most of it off on a piece of scrap paper, and then lightly run the brush along a textured surface.  The tiny amounts of pigment left on the bristles of the brush stick to the raised areas, producing highlights.   Here's our specimen after being drybrushed with yellow. 

Here's a closeup of the skin.  See how the yellow pigment clings to the high spots?  That's how drybrushing adds depth and detail.

Now you just drop the specimen into a jar filled with water, add a few drops of food coloring and...tada!

Okay, I did skip a few steps there.  But not many.  Rinse out your jar with a weak bleach solution to sterilize it, then fill it with water and drop the finished specimen in.  Gently press out any air that's trapped inside the specimen.  That should leave your "tissue" sample floating gently along the bottom or side of the bottle.

Food coloring is ideal for tinting the water inside your specimen jar.  I used yellow, which was a bit of a mistake.  It goes nicely with the green, but it also negates the yellow highlighting I spent all that time on.  I should have dry brushed with white instead.

I also added some sediment to the jar by sprinkling in a little garlic powder.  The granules absorb some of the water and swell up, producing a reasonable facsimile of the detritus that flakes off organic specimens over time.  Here's what it looks like when you give it a good shake.

Finally, I added a wax seal.  This is just bog-standard paraffin melted in a double boiler.  I dipped the lid of the jar in the wax, set it aside to cool, and then repeated the process until the full seal was built up.  Then I grunged it up with some wax-based schmutz. 

There you have it.  A couple of bucks for materials, a few hours of your time, and you can start populating your shelves with all sorts of bottled nastiness.  There are a multitude of refinements you can add to this basic technique, from labels and collection tags to using different squishy animals as a base.  Want a facehugger from "Alien"?  Trim the body of a rubber spider and hot glue part of a rubber snake to it.

One of the advantages of making a "thing in a bottle" is that you can control how visible the creature inside is.  If your specimen looks amazing just add some food coloring and show off your work.  If it's not that hot, some sediment and a pinch of chalk dust makes the fluid more opaque and covers up any flaws.

Over There

VonMeer brings us this mailing coupon from World War 1.  It was used to post Christmas care packages during the closing months of 1918.  Click through for the high resolution version and directions on how to put together a prop version of a period packet.

The Rage Beast is Loose

I apologize for the lack of an update today.

I spent the last few days doing a tutorial on creating preserved tissue specimens.  When I uploaded the illustrations this morning they looked absolutely horrible.  Since then I've been trying to figure out why the color calibration in PhotoShop is apparently futzed up beyond saving.  I'm going to try doing a full re-install and, hopefully, I'll have the tutorial up later today or tomorrow.

The Cycloptopus

The legendary Gary J. Tunnicliffe and Mike Regan bring us the Cycloptopus.  Just take a look at the high resolution photos to get a feel for how amazing this paintjob is.  I was pretty jazzed about my parasite from earlier this week, but when I look at what true masters can do I realize just how far I have to go.

The Elder Scroll

Folkenstal once again knocks it out of the park with this replica of the Elder Scroll from the video game series of the same name.  Browse through the gallery and you'll find some nice detail shots, including one of the nifty black light effect incorporated into the prop.

Parasite Specimen

You should take any unusual stomach pains seriously, as this curious specimen demonstrates.  Sadly, it's original host didn't follow that helpful advice.  Heh.

This was sculpted out of polymer clay and painted with acrylics.   The detail work was done with dental tools and some custom texture stamps.   I added the gore just to dress up the photos a bit.  It's essentially  lumpy gravy- cornstarch and water mixed with some food coloring and heated up until it gels.

Just right click on the photos and open in a new tab to see the high resolution versions.

Dem Bones

Behind the Rows Studio brings us this very nice mummified head.  The obvious blow to the skull is what most people will notice, but the dessicated blood clot it produced is a bit more subtle.  I love little details like that.

Buried Treasure

Hobbyists searching for treasure with metal detectors have started uncovering some very curious archeological finds.

Here’s a neat case of self-perpetuating archaeology. Medieval history spawned sword & sorcery literature. This literature spawned tabletop fantasy role-playing games and Medieval re-enactment groups. These games and groups spawned live action role playing. And now the larpers have created a market for faux-Medieval coinage, which they are buying at game stores, using at larps and dropping here and there. Metal detectorists are starting to find coins like the one in the picture and submitting them to intrigued museum curators.

It's amusing that LARP coins are starting to become accidental artifacts. What I find even more surprising is the remark in the comments that Toys "R" Us stores in Sweden sell LARP supplies. I knew live action was big in Scandinavia, but I never realized it was so mainstream.

From the Deep

Eamon Winkle brings us this Deep One ritual mask.  I really like the corrupted texture work.

Tools of the Trade

The Viking Mythos project continues to putter along.

On the left we have a troll tooth used as a protective charm.  To the right a selection of wooden needles used for putting down Druagr, Viking undead.  I'll add some iron nails to the set when I find some that have the right length and don't look machine made.

I suspect a Norse cultist would have few qualms about trafficking with the undead, but it's always wise to have a bit of leverage.  "Do not call up any that you can not put down," as Lovecraft points out in "The Case of Charles Dexter Ward".  The sagas have various portrayals of reanimated corpses, but driving needles into their feet appears repeatedly as a means of stilling their spirits, or at least preventing them from walking.